Sal's office was made at the last minute, about 2 hours before filming, the set was repurposed from the narrator's hospital room, and his desk is the same as Friel's. The blind from the hospital is also reused and the effect works very well on the beige colour of the walls. The poncey gold swirls are just for fun. The sculpted bust was made as a random experiment, and I decided to include it as a prop.
I don't know who that devilishly handsome fellow in the painting is, but I feel it gives an air of majestic grandness to the room.
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